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Main Title, Index and Introduction
Secrets relative to the Art of Engraving
Secrets relative to Metals
Secrets for the Composition of Varnishes, etc.
Secrets of Mastichs, Cements, Sealing-wax, etc.
Secrets of Glass Manufactory
- Compositions to Imitate Precious Stones, called French Paste
Secrets Concerning Colors and Painting
§ I. Paint In Varnish On Wood
§ 2. Paint On Paper
§ 3. Compositions For Limners
§ 4. Make Transparent
Color
§ 5. Compositions
to Dye Leather
§ 6. Color
or Varnish Copperplate Prints § 7. For
Painting on Glass
§ 8.
Color
Preparation for Oil, Water, and Crayon
Marble and Jasper Paper
Methods to
Clean Paintings
Making Good
Crayons
Directions for
Coloring Prints
Directions for Painting in
Oil
§ 9. Preparation of Lapis Lazuli to Make Ultramarine
Secrets of the Art of Gilding
The Art of Dying Woods, Bones, etc.
Of Casting in Moulds
Making curious and useful sorts of Ink
Ink Stone
Invisible Ink
Some Obscure Terms Defined
Links
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I. A subtile mastich to mend all sorts of broken vessels.
Take whites of eggs, and beat them well to a froth. Add
to this soft curd cheese and quick lime, and begin beating a-new all together.
This may be used in mending whatever you will, even glass, and will stand both
fire and water.
II. A mastich for broken wares.
Pound a stone jar into an impalpable powder, and add to it
some whites of eggs and quick-lime.
III. Another Mastich.
Take quick-lime, cotton and oil, of each equal parts in
weight.
IV. A cement.
Take rosin, one ounce; grinded tile, half an ounce; mastich,
four ounces.
V. A glue to lay upon gold.
Boil an eel's skin, and a little quick-lime together; when
boiled gently for the space of half an hour, strain it, and ass some whites of
eggs beaten; bottle, and keep it for use. The method to use it afterwards,
is to warm it, and lay a coat of it on marble delph, Worcester, Stafford, or any
other earthen wares, etc. and when nearly dry, write, paint, or draw what you
please on it with a pencil, and gold in shell.
VI. A size.
Take half a pound of fresh cod's tripes, boil it in two
quarts of white wine, reduced to one-third. To take off the bad smell,
add, while it boils, a little cloves and cinnamon. Then throw this size in
whatever mould you please, to make it in flakes.
VII. An exceeding good size, called Orleans size.
Take the whitest isingglass you can find; soak it in finely
filtered quick-lime water, during twenty-four hours. When that time is
over, take it off bit by bit, and boil it in common water.
VIII. Another for the same purpose, which resists water.
Take quick-lime, turpentine, and soft curd cheese, Mix
these well together; and, with a point of a knife, put of this on the edges of
the broken pieces of your ware, then join them together.
IX. A cold cement for cisterns and fountains.
Take litharge and boil in powder, of each two pounds; yellow
ochre and rosin, of each four ounces; mutton suet, five ounces; mastich and
turpentine, of each two ounces; oil of nuts, a sufficient quantity to render
malleable. Work these all together; and then it is fit for use.
X. A lute to join broken vessels.
Dissolve gum arabic in chamber-lye over a chafing-dish; stir
with a stick till perfectly dissolved, then add an equal weight of flour, as you
had of gum arabic, and concoct the whole for one quarter of an hour, or more, if
requisite.
XI. A strong glue with soft cheese.
1. Take a cheese from Auvergne. Let it be the
fattest and newest you can find, neither dry nor moist; wash it in very warm
water, so long as it should remain clear; then set it to rot in clean water,
till it begins to stink. As soon as you find it is so, boil it in water
with quick-lime; and when dissolved into a glue, take it off from the fire, it
is done.
2. If you dry some whites of eggs in the sun, and then
pounding them into a powder, you shall add some of that powder with the cheese
when you dissolve it along with the lime, the glue will be so much the stronger.
N. B. Observe that no other cheese, besides that which comes
from Auvergne, has the quality requisite for this composition.
XII. To make a strong mastich.
Take one pound of rosin, a quarter of a pound of shoe-makers
rosin, two ounce of new wax, two of black pitch, and one of tallow. Boil
all gently together on a slow fire; and when well incorporated together, add
some brick dust, finely sifted, according to discretion.
N. B. The quantity of tallow is to be proportioned to be
degree of dryness you require in this composition; so that you may, on that
principle, discretionally increase or diminish the prescribed dose of that
ingredient.
XIII. Sealing wax. Recipe 1st.
Take one pound of shell-lac, benjamin and black rosin, half
an ounce each vermilion, eight drachms; the whole being melted, make your sticks
on a marble table, rubbed over with oil of sweet almonds, and take care to have
done before the was is cold.
XIV. Another. Recipe 2d.
Take turpentine and sailor's pitch, six drachms of each;
either shell lac, or dragon's blood, one; sulphur critinum, two. Mix and
incorporate all together over the fire, and form your sticks.
XV. Another. Recipe 3d.
Take gum baderacea, shell-lac, sandarak of the
ancients; otherwise printer's rosin, and mastich, two ounces of each, rosin,
four ounces, turpentine, half an ounce. Mix all in a very warm bell-metal
mortar, and make your sticks.
XVI. Another. Recipe 4th.
Take shell-lac and mastich, of each one ounce; dragon's
blood, three; cinnabar, half an ounce; turpentine, one. Mix all, and make
your sticks.
XVII. Another. Recipe 5th.
Take Greek pitch, one pound; white mastich, five;
frankincense, five ounces; cinnabar, as much as you see requisite to give the
red colour. Put the pitch first on the fire to melt; next put the mastich,
and the powder of frankincense; and last of all, the cinnabar grinded with a
little oil. Incorporate all well and take it from the fire, to make your
sticks.
XVIII. Another. Recipe 6th.
Take shell-lac, twelve ounces; mastich and rosin, of each one
ounce; dragon's blood, three; minimum, half an ounce. Dissolve the shell-lac
in vinegar; add if you will some turpentine oil and sulphur, to the quantity of
four ounces of each, and two of ammoniac salt. The whole being melted,
make as fast as you can, your sticks of the form and size you like.
XIX. Another. Recipe 7th. Excessively good.
1. Take shell-lac, etc. pound them all into a very fine
and impalpable powder. Then have two wooden pallets present upon them,
before the fire some powder of one sort to melt, then move and stir it with the
said pallets. Take again of another powder in the same manner, and mix it
in the same way before the fire with the first. Then another and another,
till they are all by this method, perfectly well amalgamated together.
2. Have now some cinnabar in powder, which put in a pan
with water. In that water and cinnabar powders, set to infuse, or only
touch your incorporated gums, to make this composition take colour. When
thus sufficiently coloured, take it our of the water with both your hands and
the wooden pallets, and have a person to help you. Thus having wetted his
hand, will draw some of the said gum, and handling it on a table, will form the
sticks. For two pounds of gums, two ounces of cinnabar are wanted.
XX. Another. Recipe 8th.
Take gum-lac, four ounces, cinnabar, half an ounce, rosin,
four and a half. Melt the rosin with a little vinegar and skim it.
Then mix it with the lac and vermillion both well pulverised, and, when the
composition begins to cool, form your sticks with it.
XXI. An excellent sealing wax, by Giradot. Recipe 9th.
Put four ounces of rosin, and four and a half of whitening,
and melt them together in a non-varnished pipkin, over kindled coals.
While this is in fusion, have another pot, similar to this, in which you keep
two ounces of shell-lac, in dissolution with vinegar. Now steep a wooden
stick in the first pot, and another in the other pot; then, over a chafing dish,
turn quickly, one over another, the ends of your two sticks together, to mix and
incorporate well what matter they shall have brought along with them from each
pipkin. And after having turned them thus a reasonable time, you see both
matters are well embodified, steep them, at different times, in the following
liquor to colour them.
XXII. A colour for the above wax.
Grind upon a porphyry table, two ounces of cinnabar, with a
sufficient quantity of nut-oil, to make it a liquid. In this you dip your
sticks at several times, and take care in dong it, the composition should not
grow cold. Wherefore you must each time you steep them in the colour,
carry the again over the chafing dish to keep them in a due state of
malleability. And when you find the matter sufficiently tinged with red,
form your sticks as usual, on a marble or well polished table.
XXIII. To make sealing wafers.
Take very fine flour, mix it with glair of eggs, isinglass,
and a little yeast; mingle the materials; beat them well together, make the
batter thin with gum water, and spread it even on tin plates, and dry it in
stoves; then cut them for use. You may make them what colour you please,
by colouring the paste, say with Brasil, or Vermillion for red; Indigo etc. for
blue, etc.
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