Primary Source Information About 18th Century Craft Techniques


Secrets Concerning Colors and Painting


 

 

Main Title, Index and Introduction

Secrets relative to the Art of Engraving

Secrets relative to Metals

Secrets for the Composition of Varnishes, etc.

Secrets of Mastichs, Cements, Sealing-wax, etc.

Secrets of Glass Manufactory - Compositions to Imitate Precious Stones, called French Paste

Secrets Concerning Colors and Painting
§ I.  Paint In Varnish On Wood
§ 2. Paint On Paper
§ 3. Compositions For Limners
§ 4. Make Transparent Color
§ 5. Compositions to Dye Leather
§ 6. Color or Varnish Copperplate Prints
§ 7. For Painting on Glass
§ 8. Color Preparation for Oil, Water, and Crayon
       Marble and Jasper Paper
       Methods to Clean Paintings
       Making Good Crayons
       Directions for Coloring Prints
       Directions for Painting in Oil
§ 9.  Preparation of Lapis Lazuli to Make Ultramarine

Secrets of the Art of Gilding

The Art of Dying Woods, Bones, etc.

Of Casting in Moulds

Making curious and useful sorts of Ink
    Ink Stone
    Invisible Ink

 

Some Obscure Terms Defined


Links

 

LXIX.  To marble and Jasper Paper.

    1.  Grind all the colors you want to employ (such as lake, massicot, indigo, yellow and red ochre, etc. etc.) with bullock's gall; grind each separately, and keep them so.  Then have a large and side pan filled with lukewarm gum water.  Stir well that water with a stick.  While it is in motion, and your colors being ready under your hand, with a large brush, take of each separately, as much as the tip of the brush will carry, and touch only the surface of the water with it. The colors will immediately expand.  Each color requires a particular brush to itself.  Therefore, with another brush, take of another color, and do the same; and, with another of another, and so on, till you have put on your water all those you have destined for the purpose.

    2.  When the water ceases to turn, you will plainly perceive all the variety occasioned by the different colors.  Then, taking your sheet of paper, lay it flat on the water, leave it there for about two or three minutes, and, without taking it out, give it one turn round on the water, then pull it by one of the edges to the side of the pan, wash it, dry it, and burnish it afterwards.
    Note.  The paper must be chosen good, and the water fixed with gum adragrant.

 


 

Modern methods of making marbled paper.

 


 
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The purpose of this site is the preservation of the knowledge contained herein.  If you find any inaccuracies in the explanatory part of the web site I would be grateful if you would kindly let me know so it can be corrected. Additional clarification of terms you'd care to share would be appreciated.


18th Century Primary Source Information - An original work of 1809, transcribed by Anne Post, © 2006, all rights reserved